Norah Jones – The Fall Album Review

Norah Jones has already exceeded their wildest ambitions as she has carried forward the legacy of music within her family and developed into an artist with classic rendition.

She made an immediate impactful debut with Come Away With Me in 2002 – an innovative blend of jazz, folk and pop.

Come Away With Me

Jones proves how much can be conveyed with even the simplest elements on this track, including lyrics like those found within its boundaries. Her repeated melodies and short groove patterns display an optimistic yet somber outlook tempered by experience.

This song marks an end to an otherwise chaotic time in her life; one which was both exhilarating and distressing, yet ultimately beneficial. Now she moves forward with an improved perspective, providing guidance, comfort, and joy to anyone experiencing hardship themselves.

Norah made her own rendition of this Jesse Harris composition, recording it all in just one take and earning herself a record contract with Blue Note Records.

Feels Like Home

After experiencing some difficulty, Jones has emerged with a more positive perspective and this track reflects that. She uses rhythm, repetition, light/dark contrast with volume dynamics and phrasing to convey that sense that she has moved forward in life.

Jesse Harris wrote this beautiful cover version to showcase her powerful vocal range and convey its meaning perfectly. The song depicts an emotion-laden story of being In Love With Someone But Being Abused By Him or Her; feeling trapped by memories from her past that can’t seem to fade away from one’s mind.

This track is the perfect ending to an album that showcases such an array of genres and styles, acting like the perfect last hurrah before ending on an optimistic note.

Not Too Late

Norah Jones stands out as a distinct performer among pop artists; she’s known for her intimate sound that has made her an international household name.

She has also become an outspoken activist, calling for gun control and women’s rights. Additionally, her music videos have tackled controversial subjects like domestic violence and child sexual abuse.

Not Too Late is an example of Jones’ evolving songwriting abilities and lyrical complexity. This video has been studied for its symbolic representation of reality that thousands of children face while also sending an encouraging message that healing can come at any time.

The Fall

The Fall marks Norah Jones’ return with new collaborators like Jacquire King (Tom Waits and Modest Mouse) and producer Arif Mardin as she explores an eclectic sound. Eschewing the gentle piano balladeering of earlier albums for more contemporary sounds while still possessing an engaging vocal performance and talent for interpreting melodies.

An excellent example is her rendition of “Man of the Hour,” an endearing tribute to her beloved four-legged companion. The sweet yet rock-influenced track deviates slightly from the overall Jazz/soul feel of the album; nonetheless, its natural and soothing nature make for an enjoyable listening experience that should keep listeners relaxed during their journey through The Fall.

Visions

Visions closes out with Norah singing about what she has learned over the last four years and looking forward to what lies ahead in her future. Though more weathered now, Norah remains hopeful and hopeful.

Vision made an unexpected visit to Wanda Maximoff’s bedroom during the conflict between Avengers and fugitives, breaking through her bedroom wall to inform her of the Sokovia Accords (which he helped draft) which he helped draft. Wanda became upset at first for not using the door; but Vision soon apologized and encouraged Wanda to consider staying with him instead of returning to their official duties as heroes; she agreed and began considering it further.